陳銀輝畢業於國立臺灣師範大學美術
系。1957年任教師大美術系。得獎無
數，其中包括：1975年烏拉圭國際雙年
展、1991年法國秋季沙龍展、1994年法
國現代藝術展及1995年全省美展五十年
回顧展。於母校擔任助教期間，他常利
用下課時間加強素描，並大量閱讀美術
相關書籍，熟悉西洋現代藝術的特質與
原理。由於理論與實際的相輔相成，使
陳銀輝的作品富有獨特的創意與實驗性
風格。
  陳銀輝的創作追求「繪畫性」，個人
生活和寫生經驗只是作畫的契機，目的
並非自然形象表面的描摹或再現，而是
藉自然的形態和色彩表現藝術家的自
我。「形體（Forme）的追求，畫面的
構成，是我繪畫的首要目標；面對大自
然，或身邊的一切物象，我都把它們還
原為「形」與「色」的組合。」陳銀輝
時常持畫筆、畫刀並用作畫，有時用手
指頭摸，用布擦，或用竹片刮等等，自
由地隨手運用工具。在他的作品中，觀
者看到的是線條、塊面造型、肌理、色
彩的交響組合，呈現出藝術家所經營的
獨特詩意。

CHEN graduated from National
Taiwan Normal University’s Art
department. CHEN has received
many awards, includes Uruguay
International Biennale in 1975, the
Autumn Salon in France in 1991,
Modern Art exhibition in France in
1994, the 50 years anniversary of
Taiwan Art retrospective exhibition
in 1995. As a teaching assistant in
National Taiwan Normal University,
he often used his leisure time
to emphasize the technique of
sketching, also read a lot of books
related to art, familiar with modern
art’s speciality and theory. As the
combination of theory and practice,
enabled CHEN’s artwork became
unique and experimental.
CHEN’s seeking of Painterly
Characteristics. Personal life and
outdoor sketching experience are
only the opportunity of creation.
The purpose is not depiction or
reproduction of nature image, but
express the artist ego by the nature
form and color. “The seeking of
‘FORME’ and the construction of
the painting are the principal goal
I paint, facing the nature; or the
element surrounded, I reduced them
to ‘Form’ and ‘Color’ ” said CHEN.
CHEN often use brush and knife to
create together, sometimes there
are touches of the hand or the wipe
of the cloth; or the trace of bamboo
knife, etc. CHEN use the tools aside
him freely. In his work, the spectators
see the line, the shape the form,
the texture and the color combined,
presenting the poetic world the artist
managed.