Born in 1950 Sichuan, China. German Chinese artist, critic. In 1987, ZHANG immigrated in German and started to do art. In 2000, go back to Sichuan Art Academy and started communicating and doing art education between Chinese and Eastern culture. ZHANG inherited art and modern thinking, using the warning implication to criticize art. Mixing the photograph’s reality and the surrealistic element, performing a light, elegant and beautiful visual effect. “Panda is a new cultural totem” ZHANG explained “In China tradition, dragon presents cultural totem, but in western country, it represents evil, and the desire of conquer.” This is not the way that China expresses, ZHANG said “Panda is much more tender, and it has the same meaning in western country. It is qualified as a character of Chinese culture.” ZHANG think that panda is a soft power, after the Peking Olympic, it became the culture totem of China, Panda is a symbol to get involved with other countries.