朱德群憑著一份藝術家對天地萬物強大的感受力，進而創造出屬於他獨特的繪畫語言，並力圖在創作中表達人性內在的波動，用色彩來記錄人與天地、風、光的形式對話和環環相扣、不可分割的緊密連結。                            吳冠中曾以 “大弦嘈嘈如急雨，小弦切切如私語” 來形容朱德群作品中因線條的律動而形成的節奏感，點線的交錯與竄動並結合畫面上的光線明暗而形成如音符般時及時緩，高低起伏的旋律。從這幅《繁華》我們正可看出粗細線條縱橫交錯的律動，如何穿梭融會在大色塊之間，而表現陽剛與陰柔的相輔相成。

By means of an artist's strong sense for the works of Gods, Chu Tehchun creates his own unique painting language, endeavors to express the internal fluctuation of human nature in his artistic creations, and utilizes colors to record the formal conversations between human beings and the sky, earth, wind, and light, and the indivisible and tight connection that links like a chain.                                                                                                        Wu Kuanchung had ever described the cadenced feeling taking shape from the rhythm of lines in Chu Tehchun's works with “The powerful string plucking is as noisy as the sudden downpour, and the light string plucking is as soft as whispers”. The interlacing and scurrying of points and lines with the brightness and darkness on the painting from the melody that is sometimes rapid, sometimes slow, and rising and falling as notes. From this “Lushness”, we can see the rhythm of crisscrossing thick and thin lines, and how they shuttle among and blend into the big masses of colors, and show the masculine and feminine complement each other.